As my dear readers know, I have been delving into the early 19th century since I started research for my biography of James Alexander Hamilton. Last month, I reviewed Red Clay, Running Waters, which takes place during that era. Today, I welcome author David Fitz-Gerald with an excerpt from the same time frame. His novel, A Grave Every Mile, begins in 1850 when so many hopeful journeys west ended in heartache.
Welcome, David!
~ Samantha
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A Grave Every Mile: An Excerpt
Guest Post from David Fitz-Gerald
Independence, Missouri, April 13, 1850
I hate it when men fight. After a man throws his first punch, he doesn’t remember why he’s fighting. Where’s the marshal? A town the size of Independence must have a lawman.
A crowd gathers in the rutty street as two men face each other, circling, waiting for an opportunity to swing. The blond combatant hollers in a high-pitched voice, “Take that back, Bobby.”
The dark-haired man, evidently Bobby, shouts, “No, I won’t. You can’t make me.”
The other man shouts, “You can’t talk about my wife like that. I’ll rip your head off.”
“She may be your wife, Wayne, but she’s also my sister. I’ll say what I want.”
Wayne lands a glancing blow on Bobby's cheek. As the punched man’s face turns, I realize these aren’t men. They’re practically boys.
The crowd cheers, encouraging them on. I’ve heard enough. If nobody is going to stop them, I will. My youngest daughter whines as I slide her from my hip, and wails when her feet reach the boardwalk in front of the dry goods store. My twelve-year-old daughter’s eyes reflect trepidation and I reassure her. “Don’t worry, Rose, honey. Hold Dahlia Jane’s hand. Stay right here until I return, and please don’t wander off, for Heaven’s sake.” I glance about to see where my husband and the boys are, but they're nowhere in sight. Not that Larkin would intervene. He would just shake his head and frown.
Two steps from the walkway, in front of the mercantile, my boots meet the muddy, uneven street. Even over the heads of observers, now three deep, I peg the fighters. At times like these, being a woman who is taller than most men is an advantage. As I push people aside, the two men growl at each other. Their arms lock as the evenly matched scrappers transition from fisticuffs to grappling. A trickle of blood dribbles from the corner of Bobby's mouth, and Wayne has a crimson eyebrow.
A tidy-looking young woman catches my attention. First, she addresses the dark-haired man, evidently her husband. “Stop it, Bobby." Then she reprimands her brother. "Knock it off, Wayne. You are creating a scene. Somebody will get hurt.” She glances up at me, her brow furrowed. It seems like a plea for help. I should know better than to interfere in the business of strangers. How many times have I been warned not to get involved? I can never help myself in such situations.
I step toward the snarling bruisers, grab each man by the back of his shirt, and separate them. The scrawny hooligans are surprisingly easy to lift. Maybe they seem so light because of all the years I spent chopping wood. The brown-haired man squirms more than his opponent, who implores, “What are you doing, lady? Have you gone mad?”
“My name ain’t Lady. It’s Dorcas, or Mrs. Moon, if you must.” Their dangling legs barely reach the ground. I clutch wads of fabric in my fists and their feet dance urgently beneath them, trying to find purchase within the muck. I feel like a schoolmarm interrupting a playground scuffle, but these are not children. I gaze into the dark eyes of one boy, then the bright eyes of the other. “What’s gotten into you? I’m sure you know better than to behave like this. What would your mothers think to see you now? You should be ashamed of yourselves.”
The people around us shuffle out of the way, and I’m surprised by an oncoming carriage. It’s too late to duck to the side of the street. A team of shiny black horses swiftly conveys a magnificent rig through a gloppy puddle a few feet from the boys and me, drenching my pink checked dress in pungent mud.
Embark on a harrowing trek across the rugged American frontier in 1850. Your wagon awaits, and the untamed wilderness calls. This epic western adventure will test the mettle of even the bravest souls.
David Fitz-Gerald writes westerns and historical fiction. He is the author of twelve books, including the brand-new series, Ghosts Along the Oregon Trail set in 1850. Dave is a multiple Laramie Award, first place, best in category winner; a Blue Ribbon Chanticleerian; a member of Western Writers of America; and a member of the Historical Novel Society.
Thank you so much for hosting David Fitz-Gerald today, with an interesting excerpt from A Grave Every Mile.
ReplyDeleteTake care,
Cathie xo
The Coffee Pot Book Club
My pleasure!
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